Thing was, though -- all those jobs -- the lost ones and the new ones -- were all in the USA. So if you could hop from an old wave to the new one, it worked out. Like going from artboard to computer... with the overwhelming benefits that came from standalone programs like Photoshop and Xara.
I'm going on about this because I want to keep art jobs in the USA.
But the real problem remains -- how to get those art jobs back home -- and keep them here!
John,don't blame Steve for the somewhat discriminating replies.
Above is very condescending,don't you think?
But I'm with Paul on this one,move on to be on topic

Hans