Well done, handrawn! I’m envious; the freedom you obviously enjoy in your work—that’s the way painting should be—no constrains of stroke and fill. I failed oil painting at University. I never quite sussed an area of expression foreign to me. I began with pen and ink at age 6, and I stuck with what worked for me.

Lay-Zeeeeee!

About this retouched piece:

1.) It took about 4 hours using Xara. I spent 2 hours getting nowhere with P’shop and decided to cut my losses. I needed often to get between the pixels so and area would resolve up smooth.

2.) My choice of Charlez was a deliberate one; I wanted to choose an image I liked to look at for a few hours, and it’s also the best example I could quickly find where the text was intrusive, laid out poorly and just ugly.

3.) Absolutely no sexism was intended, okay? If I’d found an outstandingly ugly magazine cover with a guy or an infant, I’d have used it. I’m very sensitive (I think) to exploitation.

4.) The Administrator is cool with this.

At right, the finished cover. In the middle, where the multitude of shapes are that cover the text and in a lot of areas to replace areas of the dress, arms, and so on.

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At right, the finished cover. In the middle, where the multitude of shapes are that cover the text and in a lot of areas to replace areas of the dress, arms, and so on.

Retouching with Xara feels quite natural to me, even though I usually use the Paintbrush tool and other tools in Photoshop. I’ve only done one other retouching session in Xara; a pristine 1958 Cadillac that had a guarding fence around it to keep kids off the spectacular set of wheels.

My Best,

Gary

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