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  1. #1
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    It is at the same time fascinating and frustrating to see the Xarans who come from Corelxara play and find those fascinating things. Because, even though some very- and some less important things still have to be looked after, Xara does have awe-inspiring possibilities.

    Still, the new users are left outside in the cold, and I can well imagine that, when you download the trial without having some basic insight in one of the dinosaurs (CorelDRAW, Illustrator, Freehand), you may well never buy because Xara has a quite personal approach, quite probably even a streak of geniality.What can be done?

    First of all, you can visit the Xaraxone and look at, or download the Xealots, starting with nr 16. In there you find a very good manual made by upperXaran (though very humble) Gary Priester. Some details have been changed or are overlooked, but these are never vital and the Help files get you out most often. Then, on the same site, and starting from August 2000, you find very elaborate tutorials by the same gentleman.

    And last but not least: this being our forum too, let's not sit down, and do it ourselves! I hope the old timers will comment on this initiative and show shorter , better or simply different approaches to our attempts and findings. So new users from all over this blue planet, and even from other Galaxies: unite!

    To give the good example, I'll start myself wiyh a basic version of the wonderful Eschering you find elsewhere on the forum. Here we go: (I use Xara 1.0a)

    1/ Draw a long, thin, vertical rectangle with the...rectangle tool on the left side of your work space.
    2/ Fill it by selecting it, and with the same selector tool by left clicking on a colour at the base of your
    workspace.
    3/ Now put the selector tool on the edge of the rectangle and left click. You can see the contour
    change. Push the Ctrl button (no fear of launching H-bombs) and drag your mouse to the right
    while holding the left button down. You can only drag horizontally. When you've arrived halfway,
    while holding the left button and the Ctrl down, right click and continue dragging towards the
    right. And rightclick once again when you've arrived at te right side. You now see three identical
    rectangles, perfectly aligned.
    4/ Select the middle one and give another colour (see2/)
    5/ Now choose the blend tool and left click/drag from the left rectangle to the center one, and from there to the right one. You now see five blends between each rectangle. Up left, you see that Xara knows this too. Change the number up there from five to, lets say, 25 or 40, and press return. Wow, this is fascinating! Change the number until no white space is left between the individual rectangles.

    6/ Somewhere else on your workspace, you now draw a circle: ellips tool together with Ctrl.
    7/ On the bottomleft of the colour bar, you see a white square with a grid on it, the no-fill colour.
    Select the circle and left-, and then right click on the no fill button. If it weren't for the handles, the
    circle would be invisible (good idea to play with...). There is now a shape, but it is transparant.
    8/ Keep this circle selected or reselect it (if you can still find it), push shift and select the blend you've
    made earlier too. And now, with the sweat dripping on your keyboard, select the blend tool and
    click with a shaking hand on the "blend to curve" button on the infobar, which is located above
    your workspace. If you don't find it: Xara shows the names of the items when you hold the mouse
    over them without clicking. Et bonjour Monsieur Escher, comment allez-vous?

    Try this out if you're interested, and PLAY. You love when you play, and you learn more from your mistakes than from your hits. Enjoy.
    [img]/infopop/emoticons/icon_razz.gif[/img]
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  2. #2
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    Hi Jens. Thanks for the beautiful image.
    I know Escher and like his works very much.
    By the way: I'm Flemish, and Dutch is my native language. Flanders being part of Belgium, this French phrase was a way of saying hello to Ivan who is a fellow countryman, although most Belgians are not realyy "nationalists".

    grrreeettiiings ERIK [img]/infopop/emoticons/icon_biggrin.gif[/img]

  3. #3
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    You are 100% right. It is without any doubt the child in us all that is attracted by those fills and blends around curves etc. It is this what makes us creative. And there are indeed lots of kids that are far more talented then we can ever become (a point for the morphic resonance theory?)

    perhaps because it is such a fascinating plaything we're not keen on sharing it with others. and thanks about the Corelians: I did not know, and thought I had invented something. O vanity! [img]/infopop/emoticons/icon_wink.gif[/img]

  4. #4
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    Some great ideas here. Maybe someone could persuade Xara to contribute a free copy of XX for the best young artist if we held a competetion?
    Meanwhile if you like illusions tryillusion web page
    Egg
    Egg

    Minis Forum UM780XTX AMD Ryzen7 7840HS with AMD Radeon 780M Graphics + 32 GB Ram + MSI Optix Mag321 Curv monitor
    + 1Tb SSD + 232 GB SSD + 250 GB SSD portable drive + ISP = BT + Web Hosting = TSO Host

  5. #5
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    Thanks you Egg for commenting on this topic.

    It might be a good idea, besides the plug-ins and the future sister-programmes, if the best of images were to be shown in the gallery with the possibility for others to go to a "how I did this"
    page. If there were some kind of counter on each tut, the more succesfull could eventually be awarded by Xara. There might be room for experienced users, intermediate ones and starters, so everyone could engage themselves in the creation of more than useful (which are, of course, important too) things.
    Remember Oscar Wilde's saying: "the artist is the creator of beautiful things."

    Just imagine those Art-Nouveau designers having Xara's possibilities...

    I greet thee. [img]/infopop/emoticons/icon_biggrin.gif[/img]


    O, just another idea: You know ComputerArts Special, the magazine?
    They just did an 100% illustration issue, and one on Photoshop. Being British, they might just do something for Xara too. (Rule o Xara, o Xara rule the (electronic) waves...)

    [This message was edited by Erik Heyninck on January 13, 2001 at 05:36 AM.]

  6. #6
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    Allison, I'm Flemish and sometimes I interpret too quickly in a foreign language. So: simply friends, ok?
    As for the pies and arcs: I come from DRAW and was searching for a possible hidden tool. Frustration being a good energy source, I found out how to make them, be it with a few bizarre details.

  7. #7
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    Henrik,

    good idea to post some 'how-to' guides for starters here. BTW, speaking of Escher - check this nice triangle - developed with XARA 2.0.

    However, chances are high that he wouldn't have had understand you saying 'Et bonjour Monsieur Escher, comment allez-vous?', because he was Dutch...Maurits Cornelis Escher (1898-1972).

    If you 'youngsters' are interested in more about one of the greatest artist of the past century, pls check following sites:

    www.mcescher.com/
    (the official M.C. Escher site)
    and
    www.worldofescher.com/

    Enjoy!
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    --------------------//--
    We can't solve problems by using the same kind of thinking we used when we created them.
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  8. #8
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    Allison

    I did not intend to interfere with Gary's work: it is thanks to his enthusiasm about Xara that I bought the programme without even hesitating. I only try to give new people a hand. I tried all his tuts and learned a lot. His manual gives details on PC'ing I didn't know of, for instance the underscored letters one sees everywhere and which can be activated in combination with the alt button. Never read that before.
    I'm new to Xara myself, but at least, I worked a little with DRAW. If you know nothing about a vector programme, you might well become confused and give up, meaning you'd miss all these exciting things in Xara.

    By the way do you know a short way to make pies and arcs in Xara? I often use them and can't figure it out.

    John (no offense meant)

    I also didn't want to tell the Xara commercial people how to run their business: that's their problem. Mine is mainly the slicing that does'n work correctly, and the gif transparancy, but that seems to be fixed.
    I can well imagine that the tension there at HQ is very very big, and that the release of the Draw10 suite (remember they loosened themselves from Corel) which, as an upgrade costs less than one and a half times the price I paid for a full Xara alone (vat in Europe), made them hurry. Standing on one's own legs isn't always easy.
    I only know one thing about selling (I'm an artist): people do not buy a programme or a work, or a car, or a PC: they buy an illusion, a dream. Insist on that aspect. Xara now has the "insider" mystery. One might nearly speak of a brethren, a coven. No other programme, be it as popular as it may, has ever had the honour of having its users call themselves Xarans. I know not of any "Brycers" or "Photoshoppers" or Microsofties" or "Corelians" (sounds good).
    And to become part of that "enlightened" group is verrry attractive.
    You can play on mass selling, style MS or on something exclusive, choose between the mass selling custom-built car or a rare handmade one... Still, and there you have a point: one has to survive without B.Gates' money.

  9. #9
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    Please, Erik, post here some URL for this product; that may be interesting. I did the same with PlantStudio, Spiraliser and Hot Door Multipage. The two former can create images which may be very amazing to use in Xara X.

    I love XVIIth century flemish paintings for their qualities in botany, but I am also a fanatic of James Ensor and I am laughin when I imaginate what he could have made with computer graphic products like Xara X ...!

    Regards
    ivan

  10. #10
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    I wasn't criticizing your suggestion by mentioning Gary's tutorials. I was trying to add to your resources. Efforts at newbie-assistance are all to the good, AFAIC. Go for it!

    As for pies and arcs, they're not my strong suit. However, I can immediately think of two ways to make pies. One is to slice a circle shape with lines, and the other is to modify a circle shape using guidelines and the Shape Editor tool.

    Gary's current tutorial includes a drag & drop routine for creating pie wedges.

    I have to go out for a while. If no one else has come up with an explanation by then, I'll try to lay something out for you when I come back.

    Allison

    [This message was edited by Allison Moore on January 13, 2001 at 11:34 AM.]

 

 

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