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  1. #1

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    This is something I had worked on some time ago and gave up. With the fractual explorer I felt like it developed an airy feel. I'm not sure how to finish it. I am wondering if it looks too much special effects.

    Cheryl
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  2. #2

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    This is something I had worked on some time ago and gave up. With the fractual explorer I felt like it developed an airy feel. I'm not sure how to finish it. I am wondering if it looks too much special effects.

    Cheryl
    IP

  3. #3
    Join Date
    Aug 2000
    Location
    RWC, CA, USA
    Posts
    4,472

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    She reminds me of something that Susan Seddan Boulet would have done. I would make the dress flare out and maybe the hair too. I am working at loosening my imagination up, so I know it would be hard for me to do. But from someone looking "in" that's what I would do.

    Here is a link to a retrospective book on her works. I am a bit shocked, she has passed on. I'm always the last to find this stuff out. Sigh.....go HERE

    I really like the colors and the effects. It's got allot of potential. Don't give up on her.

    RAMWolff [img]/infopop/emoticons/icon_wink.gif[/img]
    Richard

    ---Wolff On The Prowl---
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  4. #4
    Join Date
    Mar 2002
    Location
    Portland, OR 97205
    Posts
    27

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    First of all...great piece! I couldn't even begin to create a face [img]/infopop/emoticons/icon_smile.gif[/img] She's beautiful!

    My post is just to exchange ideas to allow you to brainstorm what will work best for you (of course). Simply, what I tried to do is create transitions - hard and soft - that gave some depth between foreground/subject/background, then heightened the level of contrast of each of these.

    I darkened the bottom to give the feel that there was an actual floor she was on, adding a palette-knife brush effect to create a stylized-wood effect.

    I masked the dress, created a new object then found a pleated texture to fill it with; then I used the Whirlpool effect on it (look closely at the reds in her dress to see it).

    I thought the rough outline of her dress gave off a watercolor-type look to it, so I kept it [img]/infopop/emoticons/icon_biggrin.gif[/img]

    To try to to take away the pattern interwoven with her shawl, I duped it and merged it with divide; added a couple of objects based on its shape and added some black/white strokes, blurred them, then reduced the opacity to create a subtle shadow both over it and behind it.

    I thought of a vaudeville-style curtain with the background fractal but sought to darken/deepen it to offset the brightness of her shawl; I merged an additional texture, added some noise, added a motion blur, then blended it with Multiply to darken it up a bit. I also created lines around it to offset the lighter version behind it.

    Well...just tossing stuff out to allow you to play with it some more. I certainly wouldn't want you to stop working on it. Don't give up! It has all the potential of being something really special!

    Good luck,

    Cliff

    [This message was edited by cliff on March 17, 2002 at 23:57.]
    Cliff
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  5. #5
    Join Date
    Mar 2002
    Location
    Portland, OR 97205
    Posts
    27

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    Well, I'm posting my rendition a second time so I hope it doesn't double-post. Here we go...

    Cliff
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  6. #6

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    Thanks Cliff and RAMwolff for good comments. I really appreciate your input.

    RAMwolff, the dress does need some flare now I can see it. Thank you for the link to Susan Seddan Boulet. I really enjoyed the picture. I spent some time looking at it.

    Cliff, I think your version is great! I really like the contrasts you created. The floor reminds me of natural slate in texture and color variation. I do think the background wall needs to fade or be desaturated some from the floor up it seems to be competing for attention. The filter gave the dress a nice tye dye look. I would like the figure to have more hard and soft edges but I see what you mean by the watercolor look.

    I have a lot of ideas now to rework this. Thanks
    again!


    Cheryl
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